The Amazing Digital Circus: The Last Act grossed an estimated $36.6 million globally during its opening weekend of June 4 through 7, 2026, making it one of the most successful independent animated theatrical events ever and proving that digital-first fandoms can move massive numbers at the box office.
In the U.S., where Fathom Entertainment handled distribution exclusively, the film brought in more than $20.2 million across more than 2,200 theaters in its opening four-day weekend, setting several Fathom presales records and landing at number three among new releases and number five overall for the weekend. European distributor Piece of Magic Entertainment reported $12.7 million across approximately 3,000 screens in 38 markets, with the film ranking first on opening day in the UK, France, Benelux, Spain, and Poland.

Key international markets delivered standout individual results as well. The UK and Ireland grossed $3.5 million from 573 cinemas. Germany brought in $1.93 million from 421 cinemas, ranking third for the weekend. France reached more than 157,000 admissions and $1.8 million despite a restricted footprint of just 500 screenings under local windowing rules, ranking first on opening day. Mexico alone accounted for $2.1 million and 585,000 admissions across Latin America, landing third at the weekend box office. Australia added $1.4 million from 211 cinemas, with New Zealand contributing an additional $168,000 from 56 cinemas.
The Last Act combines Episode 8 with the all-new hour-long Episode 9 of the series, giving fans the conclusion to the story in theaters before it releases online. The Amazing Digital Circus first debuted on YouTube in October 2023 and surpassed 1 billion online views on its way to building the fanbase that turned out in force this weekend.
Fantasy Land News covered the Fathom Entertainment presales and the exclusive Pomni popcorn bucket and cup bundle ahead of the theatrical run. If you grabbed that merch before opening weekend, you were ahead of the curve. Read our original presales coverage at fantasylandnews.com and our Pomni popcorn bucket bundle breakdown at fantasylandnews.com.
Our Take: These numbers are remarkable for an independent, creator-led animation studio that started in a garage in Sydney. Glitch Productions built something that rival studios spend hundreds of millions to manufacture, and they did it through genuine connection with their audience. The $36.6 million opening is a number Disney would be happy with. For Glitch, it is a statement.
